Is Dominique a clairvoyant? A witch? A seer? Or is she just plain mad? As a child, she foresees the death of a boy…or does she cause it? As an adult, she sees creepy dolls that are alive, shadows hanging from the ceiling, her therapist boss turning into a Russian doll, sobbing, laughing, spattered with blood…I would have checked myself into an institution by then or started taking antipsychotic drugs.
She inherits her Nan’s mansion, a creepy place with windows that stare into people, and live gargoyles whose laughter is like “the whistling sands in a desert storm” (shudder). It is the work of the “architect,” a genius who also designed an asylum in which he himself was incarcerated, who was thought to be mad, to practice black magic, and to have transferred his soul into the asylum, making the building “animate”. Yikes.
But things are even more complicated. As the book progresses, we are greeted with “Welcome back, Promised child” (creepy!), and discover that Nan had secrets that made her determined not to allow her granddaughter to return to the mansion.
Add to the above a priest who struggles with the terrible beliefs slowly being unearthed, a gardener and housekeeper who seem as mad as everyone else, and we have a macabre psychological exploration of evil bordering on madness, and perhaps the inefficacy of religion, akin to the Exorcist 3 – the most insidious one in my opinion.
The writing is jarring, with erratic back and forths in time, shifts between multiple points of view, and spine-chilling descriptions designed to make readers feel the chaos, madness, and the “lunatic’s laughter” themselves.
Being a fan of the understated kind of Gothic these days, (past my Exorcist days!) I would have preferred that it was a bit more toned down. But fans of all-consuming Horror will love it.